About Artiphik
Artiphik is a creative studio. Companies record the conversation and we handle everything after it: the edit, the mix, the thumbnails, the titles, the clips and the distribution. Then we grow the channel, because a podcast nobody watches is not a marketing channel. We took one company show from under 1,000 subscribers to more than 180,000, and we have done the work for Angel One, The Indian Dream, IMpulse and ShelfLife.
Doing this every week turns up the same repetitive work, so we built our own AI agent to carry it. It drafts the titles, designs thumbnail options and reads the numbers back to us, which is how a small team ships at the volume this takes. The clients get the output, not the software.
Our mission
The best content loses to average content with a real team behind it. Companies publish podcasts nobody watches, not because the conversation was bad, but because nothing after the recording was handled. The channels that win do not guess. They have strategists studying what is working, designers shipping thumbnails on every upload, writers engineering hooks, and someone reading the numbers to say what to drop and what to double down on. That is not a gift, it is a team. Most company shows are published without one.
That is what you are hiring. The strategist on your last episode, the designer on the next thumbnail, the writer on the hook, and someone watching the channel week to week.
The studio
One recording goes in. A month of content comes out, packaged to be found. We take a few clients at a time, on purpose, and the same person directs every account.
The cut, the mix, the thumbnail, the titles and the show notes. Your raw file goes into a shared folder and a finished episode comes back, ready to publish.
Twelve to sixteen platform-native shorts per episode for YouTube, Reels and TikTok. Chosen by a person, not pulled by a clip tool, because the tools cut through the middle of the point.
Most company podcasts are produced well and packaged badly, so nobody ever clicks. We treat the show like a channel: titles, thumbnails, retention and what to change on the next one.
How we work
We take a few clients at a time and one person directs every account, so the work does not drift the way it does when an agency rotates editors through your show. The reason a team this size can hold that standard is the software we built to sit underneath it.
Our agent studies what is winning in your category, drafts title options, designs thumbnail directions and reads your analytics back to us every week. It does the repetitive half. A person still chooses every clip, writes every hook and signs off on every episode, because that is the half the tools get wrong.
We also put a few of those tools out for free, and the agent is available on its own for creators who are not hiring a studio. Neither is what we sell here.
Founder

Founder, Artiphik
I started as a video editor at 18, moved into marketing, and spent the last few years running marketing for fast-growth technology brands. The lesson that kept repeating: the best content in the world loses to mediocre content with a real team behind it.
I watched too many great creators get stuck because they didn't have what bigger channels had. No strategist studying their niche. No designer they could trust. No writer to engineer the hook. No growth lead to tell them what was actually working. Just one person, three jobs, and a Sunday deadline.
So I built the team I wanted to have. Artiphik Studio does that work for companies directly: we produce their podcasts, package every episode and grow the channel. Artiphik the agent is the same craft turned into software, for the creators who cannot hire a studio at all.
What we believe
Every title, thumbnail and clip is judged against what is actually winning in your category before it reaches you. We would rather take an extra day than ship a generic gradient with a face slapped on it, or a clip cut through the middle of the point.
We do not take on more shows than one director can hold in his head. The most common reason companies leave an agency is that a different editor turned up every week. That cannot happen here, because the same person is on every episode.
We do not sell courses. We do not promise virality. We do not pretend to know your market better than you do. We handle everything after the recording so your team can spend its time on the part only they can do, which is having something worth saying.
Where we are going
Podcasts today. Over time, the rest of what a company needs made: brand films, documentary work, social. The same model each time, a small team with real craft and its own tooling underneath, so the output looks like it came from somewhere much larger than it did.
Work with the studio
You record the conversation. We handle the edit, the packaging, the clips and the growth. A few clients at a time, so book an intro call and we will tell you honestly if your show is a fit.
See what we do →